Feminist film theorist Laura Mulvey honors Miriam Hansen with a look at Max Ophüls.
For 50 years, Kartemquin Films has focused its lenses on social forces and the human lives they shape.
UChicago literary scholar Armando Maggi, PhD’95, suggests a better term for fairy tales and reveals what recent story cast a spell on him.
How an arty UChicago history student ended up remaking Invasion of the Body Snatchers.
Doc’s new calendar brings Singapore and cyberpunks, ’70s disaffection, and Gordon Parks.
A Doc Films event sheds light on an international human rights issue on American shores.
Chicago Booth’s Anita Rao and Stanford’s Wesley R. Hartmann use demographic data to figure out if moviegoers prefer bigger screens or more choices.
Happy in his corporate day job, a Chicago Booth graduate pursues Broadway producing on the side.